Netflix’s recent offerings have been met with a general sense of dissatisfaction. ‘The Four Seasons’ unfortunately does not deviate from this trend of mediocrity. The series presents a collection of flat jokes, undermined by a lack of substance, despite some strong acting performances. The plot lacks depth, leaving the narrative to meander without a clear direction.
The portrayal of the friends’ dynamics often feels like a stand-up comedy act, enjoyed only by the performer. The audience’s laughter seems more a matter of politeness or, perhaps, complacency.
The series introduces six lifelong friends in their 50s, with the initial focus on Nick (played by the talented Steve Carrell), who announces his separation from his wife. The introduction of a new woman in the second season adds a layer, but she’s not a home-wrecker but instead seeks a place within the friend group.
Some of the more interesting moments of the show are offset by awkward shifts in tone. Anne (Kerri Kenney-Silver) is depicted as overly naive, which undermines the emotional impact of her marital breakdown. The repetitive coincidences of her encountering her ex-husband and his new partner on vacation also contribute to a sense of artificiality.
A more compelling exploration of Anne’s struggle would have been welcome. The series also suffers from its format. Each episode focuses on a holiday, which ultimately dilutes the more serious issues the characters are facing.
Kate (Tina Fey) questioning her marriage and the challenges faced by the gay couple, played by Colman Domingo and Marco Calvani, offer glimpses of deeper themes. The series touches upon the need for space in relationships but fails to fully explore these complexities. The show does not push boundaries, often falling short of its potential.
